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Albrecht Durer (21 May 1471 – 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I.<br/><br/> His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.<br/><br/> Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
Charlemagne (2 April 742 – 28 January 814 CE), also known as Charles the Great (Latin: Carolus or Karolus Magnus, French: Charles Le Grand or Charlemagne, German: Karl der Grosse, Italian: Carlo Magno or Carlomagno) or Charles I, was King of the Franks who united most of Western Europe during the Middle Ages and laid the foundations for modern France and Germany. He took the Frankish throne from 768 and became King of Italy from 774. From 800 he became the first Holy Roman Emperor - the first recognized Roman emperor in Western Europe since the collapse of the Western Roman Empire three centuries earlier. The expanded Frankish state he founded is called the Carolingian Empire.<br/><br/> The oldest son of Pepin the Short and Bertrada of Laon, Charlemagne became king in 768 following the death of his father. He was initially co-ruler with his brother Carloman I. Carloman's sudden death in 771 under unexplained circumstances left Charlemagne as the undisputed ruler of the Frankish Kingdom. Charlemagne continued his father's policy towards the papacy and became its protector, removing the Lombards from power in northern Italy, and leading an incursion into Muslim Spain. He also campaigned against the Saxons to his east, Christianizing them upon penalty of death, at times leading to events such as the Massacre of Verden. Charlemagne reached the height of his power in 800 when he was crowned Emperor of the Romans by Pope Leo III on Christmas Day at Old St. Peter's Basilica.<br/><br/> Called the 'Father of Europe' (pater Europae), Charlemagne united most of Western Europe for the first time since the Roman Empire. His rule spurred the Carolingian Renaissance, a period of cultural and intellectual activity within the Catholic Church. Both the French and German monarchies considered their kingdoms to be descendants of Charlemagne's empire.<br/><br/> Charlemagne died in 814, having ruled as emperor for just over thirteen years. He was laid to rest in his imperial capital of Aachen in what is today Germany. His son Louis the Pious succeeded him.
Albrecht Durer (21 May 1471 – 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I.<br/><br/> His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.<br/><br/> Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
Charlemagne (2 April 742 – 28 January 814 CE), also known as Charles the Great (Latin: Carolus or Karolus Magnus, French: Charles Le Grand or Charlemagne, German: Karl der Grosse, Italian: Carlo Magno or Carlomagno) or Charles I, was King of the Franks who united most of Western Europe during the Middle Ages and laid the foundations for modern France and Germany. He took the Frankish throne from 768 and became King of Italy from 774. From 800 he became the first Holy Roman Emperor - the first recognized Roman emperor in Western Europe since the collapse of the Western Roman Empire three centuries earlier. The expanded Frankish state he founded is called the Carolingian Empire.<br/><br/> The oldest son of Pepin the Short and Bertrada of Laon, Charlemagne became king in 768 following the death of his father. He was initially co-ruler with his brother Carloman I. Carloman's sudden death in 771 under unexplained circumstances left Charlemagne as the undisputed ruler of the Frankish Kingdom. Charlemagne continued his father's policy towards the papacy and became its protector, removing the Lombards from power in northern Italy, and leading an incursion into Muslim Spain. He also campaigned against the Saxons to his east, Christianizing them upon penalty of death, at times leading to events such as the Massacre of Verden. Charlemagne reached the height of his power in 800 when he was crowned Emperor of the Romans by Pope Leo III on Christmas Day at Old St. Peter's Basilica.<br/><br/> Called the 'Father of Europe' (pater Europae), Charlemagne united most of Western Europe for the first time since the Roman Empire. His rule spurred the Carolingian Renaissance, a period of cultural and intellectual activity within the Catholic Church. Both the French and German monarchies considered their kingdoms to be descendants of Charlemagne's empire.<br/><br/> Charlemagne died in 814, having ruled as emperor for just over thirteen years. He was laid to rest in his imperial capital of Aachen in what is today Germany. His son Louis the Pious succeeded him.
Albrecht Dürer (German: 21 May 1471 – 6 April 1528) was a German painter, engraver, printmaker, mathematician, and theorist from Nuremberg. His high-quality woodcuts (nowadays often called Meisterstiche or 'master prints') established his reputation and influence across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since.<br/><br/> His vast body of work includes altarpieces and religious works, numerous portraits and self-portraits, and copper engravings. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known prints include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.<br/><br/> Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions
Albrecht Dürer (21 May 1471 – 6 April 1528) was a German painter, printmaker and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since. Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
Albrecht Dürer (21 May 1471 – 6 April 1528) was a German painter, printmaker and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since. Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
Job (Hebrew: אִיּוֹב, Arabic: أيّوب‎ Ayyūb) is the central character of the Book of Job in the Hebrew Bible. Job is also recognised as a prophet of God in the Qur'an.<br/><br/> The Book of Job begins with an introduction to Job's character. He is described as a blessed man who lives righteously. God's praise of Job prompts Satan to challenge Job's integrity and suggesting that Job serves God simply because he protects him. God removes Job's protection, allowing Satan to take his wealth, his children, and his physical health in order to tempt Job to curse God. Despite his difficult circumstances, he does not curse God, but rather curses the day of his birth. And although he protests his plight and pleads for an explanation, he stops short of accusing God of injustice. Most of the book consists of conversations between Job and his three friends concerning Job's condition and its possible reasons, after which God responds to Job and his friends.<br/><br/> The characters in the Book of Job consist of Job, his wife, his friends, a man named Eliyahu, God, and Satan. Neither the patriarchs nor any other biblical characters make an appearance.